Four women and five men from Aberdeen University’s A Cappella Society Aberpella tell us they thought they were being terribly witty in choosing the title “50 Tones of Grey” as a reference to the shades of the sky and stone of their university city.
performance
. Kate Saffin & Heather Wastie commemorate the lives of women recruited to work on Britain’s canals during World War 2
Even in times when rehash is more common than originality, the risk with a revival of Burt Bacharach’s late 1960s musical Promises, Promises, in turn based on Billy Wilder’s 1960 film The Apartment, is that it feels doubly derivative.
Adaptations of Charles Dickens’ Christmas Carol began around 30 years after his death and proliferated during the 1930s and 40s with a wealth of radio productions, notably one featuring Orson Welles and sponsored by Campbell’s Soup.
For the non-initiate, The Beastie Boys were a group of white New Yorkers who made the leap from punk rock to hip hop. The result was the number 1 hit Licensed to Ill and an opening up to the white suburbs of a previously black musical phenomenon.
This was the UK premiere for the Compagnie Marie Chouinard from Quebec. She started with Soft virtuosity, still humid, on the edge – a title that means nothing in English but perhaps has more resonance in French. Happily the work was far more exciting than the title.
A new stage show by poet Martin Figura turns out to be both entertaining and thought-provoking
A dance-drama about the troubled lives of Caitlin & Dylan Thomas
Michael Bartholomew-Biggs draws together his impressions of a novel multi-media show that combines poetry music and film.
Northern Ireland’s permanent representation in Brussels periodically brings to the capital of Europe a sample of Northern Irish culture in a spirit of cross-cultural exchange that risks being disrupted in the event of a Brexit.
Thomas Ovans enjoys an evening at the theatre which recalls a golden age of cinema.
To most Britons, P.G. Wodehouse is known as the creator of quaint, comic novels starring the blundering upper class twit Bertie Wooster and his astute valet Jeeves. He also contributed lyrics and stories to a wealth of musicals and his step great grandson, the opera singer Hal Cazalet, who as a child slept in a room beneath the Wodehouse archive, tells us he only got to know P.G. Wodehouse’s prose through the song lyrics.
By Barbara Lewis • music, performance, theatre, year 2017 • Tags: authors, Barbara Lewis, music, performance, theatre