Embracing art’s ability to transcend national divisions, a young pan-European ensemble delivered Tchaikovsky at his most triumphantly Russian, as part of a vivacious and compelling beginning to its new season, known as the Hulencourt Art Project, which runs until May next year.
performance
The Passion of Pierre Clémenti: European cinema’s christ-devil child. by Helen Donlon. “I hung out in St. Germain. Picking up cigarettes from the street. One day, a guy came up to me and said, ‘Come with me, we need you.’
Barbara Lewis reports on the Sterts Art Centre
John Forth examines both the poetic and the performance aspects of Sue Boyle’s new book
By Michael Bartholomew-Biggs • books, performance, poetry reviews, Year 2014