The Trials. Review by Barbara Lewis. The Nuremberg Trials were considered fair, one of the jurors says during deliberations that are seeking climate justice – or is it revenge? – in a future not too distant from our already overheated times.
theatre
Sense & Sensibility, The Musical. Review by Barbara Lewis. Jane Austen loved music, but words were her supreme medium for conveying the nuanced feelings of her finest characters and the vicious superficiality of the mercenary social climbers that served to highlight the quieter virtues.
Clive. Review by Barbara Lewis. From “The Office” to “W1A,” workplaces have provided a rich vein of television comedy. Now “Clive,” by award-winning stage and screen writer Michael Wynne, proves that working from home is perfect subject-matter for a theatrical one-hander.
Death Comes to Pemberley. Review by Barbara Lewis. “Jane Austen wrote six novels, pretty much all about the same sort of thing,” declares the programme note to P.D. James’ artful sequel to possibly the most popular of the six (or seven, if you count the unfinished “Sanditon”).
Testament. Review by Barbara Lewis. Green Opera’s aim is to put sustainability and nature at its core, while redefining opera for a new era in which art and environmental consciousness unite.
Much Ado About Nothing. Review by Barbara Lewis. “Much Ado About Nothing” in the “humble opinion” of Associate Director Mark Collier is the perfect comedy.
Summers. Review by Barbara Lewis. Heejin Kim takes us to a near future where there is no longer any doubt that summers are something to fight rather than enjoy.
Fiddler on the Roof. Review by Julia Pascal. In Fiddler on the Roof, inspired by Sholem Aleichem’s 1894 Yiddish short story, and now a celebrated revival from the 1960s, we have to explore what this means today.
Storehouse. Review by Barbara Lewis. As the former CEO of the national independent TV and radio stations in Georgia, Liana Patarkatsishvili has strong views on freedom of expression and on attempts to stifle the truth.
Giffords Circus – Laguna Bay. Review by Barbara Lewis. Imagine a time when childhoods were free from mobile phones, video games and Instagram, and when the arrival of an exotic circus troupe on a village green or at the seaside represented magic and excitement far beyond the everyday.
Cul-de-Sac. Review by Barbara Lewis. “Do you think this is enjoyable for anyone to be around?” It’s a very dangerous question in the mouth of Ruth Townsend, who is the aptly named wife of the overly frank Frank Townsend, the central couple of this tale of frustrated lives at the end of the line in London’s Zone 6.
LSO, Barbican. Review by Julia Pascal. What an amazing double bill the LSO offered for the start of its Barbican season under the direction Antonio Pappano: Aaron Copland’s Symphony No 3, with it haunting and thrilling Fanfare for the Common Man and Leonard Bernstein Symphony No 3 Kaddish.
By Julia Pascal • added recently on London Grip, music, performance • Tags: Julia Pascal, music, performance