A GUIDE TO GETTING YOUR POETRY PUBLISHED: Thomas Ovans reviews a comprehensive instruction manual for new poets by Robin Houghton and notes that it can also be a useful refresher course for old hands
books
Poetry review – LOOSESTRIFE FOR PORCUPINES: Charles Rammelkamp admires a well-observed new collection by D. M. Gordon
Poetry review – DIS(ILLUSION): Ian Pople explores the complexities of Mario Martín Gijón’s distinctive poetic style
Poetry review – THE LAST CORINTHIANS: Emma Storr is glad to find that Matthew Paul’s poems of personal reminiscence are welcoming and inclusive for the general reader
HERE’S WHERE WE GET OFF: Charles Rammelkamp reviews a collection of microfictions by Guy Biederman
Poetry review – TRANSITIONS: Norbert Hirschhorn responds to Marilyn Hacker’s new collection by reflecting on the sonnet form that she handles so very well
Poetry review – A GRAIN OF TRUTH : Colin Carberry admires Celia de Freine’s bilingual collection exploring the plight of the disadvantaged and marginalised
Poetry review – NO MORE ANIMAL POEMS: Oz Hardwick relishes the ambiguity – both playful and ominous – in this imaginative collection by Marc Vincenz
Poetry review – THE LAST ONE PICKED: D A Prince recognizes how far Stuart Handysides has developed his craft and experience before producing a first collection
A Red that Sings. Review by Barbara Lewis. “The red that sings” is a phrase rooted in the intellectual atmosphere of the 19th-century when scientists first grappled with the concept of synaesthesia, and poets and painters seized on it as a heightened response to the anxiety and excitement of breathless social change.
Poetry review – CONVERSATIONS WITH A MACHINE : Michael Bartholomew-Biggs reviews a slim collection by Ruth Irwin that seeks to engage with big questions
DON’T FORGET WE’RE HERE FOREVER: Michael Bartholomew-Biggs admires Lamorna Ash’s honest account of a spiritual exploration.
By Michael Bartholomew-Biggs • books, religion, year 2026 • Tags: books, Michael Bartholomew-Biggs, religion