Born in the Normandy port of Honfleur in 1824, son of a mariner and whose dying wish was to return to the coast, Eugene Boudin had an instinctive understanding of the play of light on water and in the sky.
Writer, philosopher and English aristocrat Margaret Cavendish (1623-1673) was way ahead of her time and she knew it, writing: “I regard not so much the present but future ages”.
Rambouillet – known for its graceful chateau that is the summer seat of French presidents and the setting for international summits – also has appeal for those seeking a gentler life on the sidelines – or even in the sidings.
When Iolanthe in 1882 became the fourth consecutive major success for Gilbert and Sullivan, Gladstone, a Conservative-turned-Liberal, was prime minister and women had no vote.
It’s testimony to the vibrant creativity and style of Sao Paulo that its international art festival – SP-Arte – can transform an object as potentially mundane and outdated as the tea trolley into a pinnacle of design.
Of all the things we wear, the T-shirt has the ability to be both humble and exclusive. To underline the point, the Fashion and Textile Museum’s shop accompanies its exhibition on the T-shirt from the fifth-century, when it was a variant of the tunic, to now, with designer examples on sale for around 100 pounds.
The London theatre scene could easily manage without another musical about love. But the UK premiere of this Australian-born celebration of the greatest of emotions by Peter Rutherford and James Millar is nevertheless as welcome, even as necessary, as every generation’s attempts to redefine love for themselves.
One of the joys of the MASP in the Paulista Avenue, Sao Paulo’s equivalent of the Champs Elysees, is that when you pay for entry (every day except Tuesday) nearly everyone else is too busy making or spending money to block your view of old and new masters.
As far as 1960s audiences were concerned, Lionel Bart – famed for the musical Oliver – had lost his “twang” when he came up with the box office flop “Twang!!”, with two exclamation marks. But if the audiences of the swinging sixties weren’t ready, the 21st century theatre-goers of London’s Union Theatre – renowned for alternative, low-budget, high-entertainment musicals – are.
The Danes have given us “hygge” as a not directly translate-able concept particular to their culture. The Cornish offer “hireth” to refer to an intangible feeling, a longing for the familiarity and comfort of a place.
With a new version of The Cherry Orchard transposed to the time of the 1917 Russian revolution, director Phil Wilmott’s aim was to reflect “our current edgy relationship with Russia,” he tells us in his notes.
Charles Dickens Museum. Review by Barbara Lewis.
The museum in Doughty Street, London, has a temporary exhibition to revisit the established view that Dickens had no truck with science, presenting the discipline not so surprisingly as an extension of his concern with social justice and reform rather than abstract theory.