Poetry review – COOKING WITH MARILYN: Emma Lee enjoys Angela Readman’s poetic portrait of a film star
poetry
Poetry review – A CITY WAKING UP: Brian Docherty detects the voice of a woke woman in Sue Wallace-Shaddad’s new collection
Poetry review – HOW THE HELL ARE YOU: Michael Bartholomew-Biggs appreciates the highly individual worldview revealed in Glyn Maxwell’s new collection
Poetry review – DRESSING FOR THE AFTERLIFE: Neil Fulwood finds that Maria Taylor’s energetic collection covers a lot of ground
Poetry review – THE BLUE HOTEL: Charles Rammelkamp considers some episodes in the lives of famous people as imagined in poems by Alan Catlin
THE FIRE OF JOY: Edmund Prestwich looks at a very personal poetry compilation by Clive James
Poetry review – INHERENT: Pat Edwards finds an intriguing blend of moods in these poems by Lucia Orellana Damacela
Poetry review – HERD QUEEN: Emma Storr praises the range of voices and moods in Di Slaney’s collection
Poetry Review – GRIMOIRE: Edmund Prestwich admires Robin Roberson’s invocation of dark powers in his new collection
Angela Topping browses a new selection of Gothic Verse edited by Nisha Bhakoo
Poetry review – A COMMONPLACE: Stuart Henson reviews an intriguingly different mix of collection & anthology by Jonathan Davidson
by Barbara Lewis • art, music, painting, plays, poetry, theatre, year 2020 • Tags: art, Barbara Lewis, music, painting, plays, poetry, theatre •
If you can embrace it, lockdown’s shift from the real to the virtual is a liberation that makes anything possible.