I first came across the work of Delhi born artist Dayanita Singh in an exhibition and book, Myself Mona Ahmed (2001), a photo-essay about an aging eunuch transsexual (hijra) living in a graveyard in Old Delhi. In this extraordinary body of work – the book contains various different kinds of text alongside the photographs) – one sensed not only compassion, but a collaboration between the person in front of the camera, and the one looking through the lens.
Displayed are elaborate composites, built up from paintings and photographs that eventually result in portraits at once convincingly human, alien and heartless.
By Barbara Lewis • art, drawing, exhibitions, painting, photography • Tags: art, Barbara Lewis, contemporary art, drawing, exhibitions, painting, photography