Poetry review – THE FIELD IN WINTER: Jean Atkin offers a few well-chosen words of praise for David Clarke’s latest collection
books
Poetry review – TO 2040: Roger Caldwell considers the sometimes-enigmatic poetry of Jorie Graham
Poetry review – TURN UP THE HEAT: Charles Rammelkamp explores a new collection by Ruth Danon
Poetry reviews – THE BIRD ROOM and THE CINEPHILE POEMS: Louise Warren reviews new collections by Dawn Gorman and Alan Price
Poetry review – BEYOND THE GATE: Alex Josephy reviews a collection by Clare Best which skillfully tackles difficult issues
Poetry review – DYNAMO: Mat Riches is drawn into an intriguing and imaginative world by the poems of Luke Samuel Yates
Poetry review – THE PRETENCE OF AN UNDERSTANDING: Thomas Ovans enjoys the sense of optimism in a first pamphlet collection by Beth Davies
TABULA RASA: Merryn Williams reviews a new anthology of women’s poetry from Linen Press
Poetry review – EARTH HOUSE: Paul McDonald admires Matthew Hollis’s new collection of poems exploring place and time
Poetry review – RECOVER: Charles Rammelkamp reviews a slender but rewarding collection by Allison Joseph
ARE YOU JUDGING ME YET?: Kate Noakes reviews an essay collection written by Kim Moore to accompany her own poetry
Quarantaine. Review by Barbara Lewis. Flanders in its golden age produced the painters Van Eyck and Memling. Around six centuries on, the work of Belgian conceptual artist Honoré δ’O, at first sight bears no relation to his aesthetic forebears.
By Barbara Lewis • art, books, exhibitions, year 2025 • Tags: art, Barbara Lewis, books, exhibitions