Poetry review – SATAN SAYS: Charles Rammelkamp takes a fresh look at a re-issued classic by Sharon Olds
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JOHN LUCAS ONLINE: London Grip reveals a cache of valuable material
. Poetry review – WATER: Tim Murphy reviews Haleh Liza Gafori’s new translation of Rumi’s poetry
Sense & Sensibility, The Musical. Review by Barbara Lewis. Jane Austen loved music, but words were her supreme medium for conveying the nuanced feelings of her finest characters and the vicious superficiality of the mercenary social climbers that served to highlight the quieter virtues.
Death Comes to Pemberley. Review by Barbara Lewis. “Jane Austen wrote six novels, pretty much all about the same sort of thing,” declares the programme note to P.D. James’ artful sequel to possibly the most popular of the six (or seven, if you count the unfinished “Sanditon”).
HORACE – POET ON A VOLCANO: Kevin Saving considers Peter Stothard’s brief but lively biography of the Roman poet
Poetry review – NOT MY BEST SIDE: John Forth admires this new selection of U A Fanthorpe’s poetry for its laconic and compassionate voice and its comic precision
Poetry review – SELECTED POEMS: Paul McDonald enjoys a well-chosen and well-arranged selection of Maurice Riordan’s work
A PHYSICAL EDUCATION: John Lucas considers Jonathan Taylor’s perceptive and accessible discussion of the causes and consequences of authorised cruelty in schools and beyond
Poetry review – MORGENSTERN’S MAGIC: Rosie Johnston examines the poems of Christian Morgenstern in a new translation by Timothy Adès
REMEMBERING DONALD ATKINSON: Michael Bartholomew-Biggs reflects on the relatively short career of a very original poet and adds some personal memories.
Poetry review – THE APOTHEOSIS OF MUSIC: Daniel Barbiero reviews a new translation of poems by Witold Wirpsza and considers the effect of history on the poet’s work
By Michael Bartholomew-Biggs • added recently on London Grip, authors, books, history, poetry reviews, year 2025 • Tags: authors, books, Daniel Barbiero, history, poetry