Poetry review – RETURN TO SENDAI Nick Cooke takes an in-depth look at a major compilation of work by Peter Robinson
authors
THE LITERARY BUSINESS Paul McDonald enjoys Peter Finch’s lively and insightful account of more than half a century experiencing the vagaries of life as a writer and literary administrator
Poetry review – SONG OF THE YELLOW ASTERS Charles Rammelkamp reviews a moving and important posthumous collection by Selma Meerbaum-Eisinger, translated from the German by Carlie Hoffman
Poetry review – THE INTERPRETATION OF OWLS: John Forth enjoys an immersion in a substantial and very well curated selection from John Greening’s work
A reviewer reviewed: Paul McDonald browses a selection of essays by D J Taylor compiled under the title CRITIC AT LARGE
THREE SCORE YEARS AND TEN – Under Milk Wood seventy years on: an appreciation by Kevin Saving
THEIR SMILE AND THEIR TEARS: Alan Price considers two recent compilations of poetry by Giovanni Pascoli
Poetry review – METAMORPHOSES: Charles Rammelkamp considers the many influences present in Evan Kennedy’s poetry
THE TREASURIES, POETRY ANTHOLOGIES AND THE MAKING OF BRITISH CULTURE: Kevin Saving considers Clare Bucknell’s study of the history of the British poetry anthology
THE WIFE OF WILLESDEN: Charles Rammelkamp takes a transatlantic look at Zadie Smith’s updating of Chaucer’s Wife of Bath
Poetry review – THE TESSERAE: John Forth weighs the merits of Oliver Tearle’s game-playing with “The Waste Land” and reckons up the final score
Lady Susan. Review by Barbara Lewis. “Lady Susan” is either the culmination of Jane Austen’s youthful experiments with epistolary novels and the narration of society scandals or the beginning of her mature phase of subtle characterisation and the establishment of her distinctive voice, depending on your viewpoint.
By Barbara Lewis • added recently on London Grip, authors, plays, theatre • Tags: authors, Barbara Lewis, plays, theatre