London Grip Poetry Review – Ruth O’Callaghan
Nick Cooke considers Ruth O’Callaghan’s ambitious poetic meditation on London’s immigrants
Fideles Oculi, Jennie Jewitt-Harris Exhibition. Review by WIlliam Marshall
This is a remarkable exhibition: Jennie Jewitt-Harris’s intricate collages, built in many cases on a foundation of pencil and charcoal drawings of driftwood, are a delight to the eye.
Excursion to the Mill House, Bromley by Bow, by Jane McChrystal.
There’s no other way to say it – we were in a different world – one with a clock tower and two oast houses, paved with cobble stones.
London Grip Poetry Review – S A Leavesley
Alex Josephy sees a new chapbook by S A Leavesley as being a collection for our times
London Grip Poetry Review – Judi Sutherland
James Roderick Burns enjoys Judi Sutherland’s disciplined and penetrating poems
London Grip Poetry Review – Joan Michelson
Peter Daniels takes note of some carefully negotiated poems from Joan Michelson
London Grip Poetry Review – Alice Major
Roger Caldwell finds that Alice Major composes poetry with a brain as well as a heart
London Grip Poetry Review – Matt Nicholson
Peter Ualrig Kennedy finds some interesting nuggets in a rather uneven collection by Matt Nicholson.
London Grip Poetry Review – Jane Weir
Carla Scarano reflects on Jane Weir’s collection of poems on refiguring relationships and gender roles
London Grip Poetry Review – Oliver Comins
D A Prince examines a very well-integrated collection of poems from Oliver Comins
London Grip Poetry Review – Hannah Hodgson
Martin Noutch respects the honesty with which Hannah Hodgson makes poetry out of serious illness
London Grip Poetry Review – Gillian Allnutt
Carla Scarano reviews Gillian Allnutt’s Wake and admires it as a study in words