Poetry review – My Tin Watermelon: Brian Docherty takes a thoughtful stroll through a new collection by Peter Daniels – and in the process learns the meaning of “Touching Mr Williams”
Poetry review – The Unreturning: P W Bridgman salutes Martin Malone’s poetic counter-attack on certain received ideas about the Great War
Poetry review – Deluge: Rosie Johnston finds that generosity of heart combines with expert technique in the poems of Charlotte Ansell
Poetry review – Poems for the Planet: Maria McCarthy looks at a powerful multi-author pamphlet designed to raise awareness of ecological issues
Poetry review – Out of the Blue: James Roderick Burns is struck by the unusual coherence of this volume of selected poems by Wendy Klein
Poetry review – Deadpan: Emma Storr examines the art of masterful understatement as displayed in a new collection by James Norcliffe
Poetry Review – After Montale: in these translations from the Italian Caroline Maldonaldo finds that Roy Marshall has achieved a good balance between his own voice and that of Montale
Poetry review – The Black Place: D A Prince finds that Tamar Yoseloff’s latest collection contains poetry which catches and reflects the mood of our times
Poetry Review – What Survives is the Singing: John Snelling admires Shanta Acharya’s poetry for both its subtlety and its technical deftness
Poetry review – Girls Like Us: Charles Rammelkamp is impressed by the undisguised sense of menace at the heart of Elizabeth Hazen’s poetry
Léon Spilliaert was an insomniac. He walked a great deal in the dead of night and developed an appreciation of all the shades of darkness that establish the still, silent, brooding atmosphere of his work displayed in a long overdue first British monograph exhibition at the Royal Academy.
by Michael Bartholomew-Biggs • added recently on London Grip, books, poetry reviews, year 2020 • 0 Comments
Poetry review – Contained: Julie Hogg immerses herself in David Turner’s poetry collection with multimedia accompaniment