New York, New York. Review by Alan Price. The bad bits of New York, New York make you cringe. The good bits have you cheering out loud in praise. It’s flawed, meandering, joyful and downbeat and never quite the sum of all its parts.
Poetry review – DIAMONDS & RUST: Charles Rammelkamp engages with Catalina Vergara’s love poem both in its original Spanish and as rendered in English by Tiffany Troy
Poetry review – CELL: Nick Cooke takes a serious look at the very serious themes addressed in a powerful new collection by Ruth O’Callaghan
The Man Who Would be King. Review by Alan Price. Both the novella and film of The Man Who Would Be King have been described as a ripping yarn but that expression has lost some of its charm and romance.
Poetry review – TREMBLING EARTH: Jennifer Johnson is moved by Finola Scott’s gentle poetry full of concern for our threatened environment
Poetry review – THE OPPOSITE OF SWEDISH DEATH CLEANING: Mat Riches enjoys Alison Binney’s deft handling and close examination of familiar subjects
Poetry review – THE HUM HEARERS: Chris Konrad finds Shey Marque’s new collection to be a search for the irreducible essence at the centre of what we call life
Poetry review – THE ELIMINATION GAME: Diana Cant admires Mary Mulholland’s frank and eloquent ways of dealing with issues of ageing
Much Ado About Nothing. Review by Barbara Lewis. “Much Ado About Nothing” in the “humble opinion” of Associate Director Mark Collier is the perfect comedy.
Poetry review – EURYDICE IN THE RUINED HOUSE: Pat Edwards commends Anna Saunders’ use of Greek myth to illuminate contemporary situations
HOUSE OF HABERDASH: Ben Philipps visits a multi-media – text and textiles – at the Torriano Meeting House
Testament. Review by Barbara Lewis. Green Opera’s aim is to put sustainability and nature at its core, while redefining opera for a new era in which art and environmental consciousness unite.
By Barbara Lewis • added recently on London Grip, music, opera, theatre • Tags: Barbara Lewis, music, opera, theatre