Poetry review – AFTER THE RITES AND SANDWICHES: Nicki Heinen admires Kathy Pimlott’s poetry composed in the face of grief and loss
Poetry review – CHANGE YOUR LIFE: Alwyn Marriage considers a new selection of Rilke’s poetry translated by Martyn Crucefix
Poetry review – JUST BREATHE: Emma Storr is moved by Trish Kerrison’s poems dealing frankly with the challenges of long-term illness
Write like a man. Review by Julia Pascal. Ronnie A. Grinberg’s detailed analysis of mid-twentieth century America’s masculine Jewish literary elites is a careful examination of the major personalities.
Poetry review – OKAPI: Rosie Johnston considers Fiona Moore’s book-length poem of eloquent reflection on disorienting personal experience
Poetry review – A BIRD CALLED ELAEUS: Edmund Prestwich admires David Constantine’s contemporary renderings of selections from an anthology spanning some 2000 years of Greek poetry
Poetry review – SELF GEOFFERENTIAL: Charles Rammelkamp takes two-fold pleasure from Geoffrey Gatza’s new collection
High and Low and Stray Dog (Kurosawa). Review by Alan Price. Crime films with a tinge of film noir are not the obvious genres that spring to mind when you think of the typical output of Akira Kurosawa.
THE TRAVELS OF A PINK FEATHER: Lisa Kelly reports from the first international Performance Poetry Biennial Symposium-Festival
Dante’s Divine Comedy. Review by Alan Price. Here we have a guide to the circumstances and influence of Dante’s great poem and a prose translation of The Divine Comedy.
Kyoto. Review by Barbara Lewis. Oil – the fuel of Western capitalism – was the issue in 1997 when the Kyoto Protocol delivered the first set of targets to limit its use. Nearly three decades later, far too little has changed.
By Barbara Lewis • added recently on London Grip, plays, theatre • Tags: Barbara Lewis, plays, theatre