Sense & Sensibility, The Musical. Review by Barbara Lewis. Jane Austen loved music, but words were her supreme medium for conveying the nuanced feelings of her finest characters and the vicious superficiality of the mercenary social climbers that served to highlight the quieter virtues.
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Clive. Review by Barbara Lewis. From “The Office” to “W1A,” workplaces have provided a rich vein of television comedy. Now “Clive,” by award-winning stage and screen writer Michael Wynne, proves that working from home is perfect subject-matter for a theatrical one-hander.
Death Comes to Pemberley. Review by Barbara Lewis. “Jane Austen wrote six novels, pretty much all about the same sort of thing,” declares the programme note to P.D. James’ artful sequel to possibly the most popular of the six (or seven, if you count the unfinished “Sanditon”).
Testament. Review by Barbara Lewis. Green Opera’s aim is to put sustainability and nature at its core, while redefining opera for a new era in which art and environmental consciousness unite.
Much Ado About Nothing. Review by Barbara Lewis. “Much Ado About Nothing” in the “humble opinion” of Associate Director Mark Collier is the perfect comedy.
Summers. Review by Barbara Lewis. Heejin Kim takes us to a near future where there is no longer any doubt that summers are something to fight rather than enjoy.
Fiddler on the Roof. Review by Julia Pascal. In Fiddler on the Roof, inspired by Sholem Aleichem’s 1894 Yiddish short story, and now a celebrated revival from the 1960s, we have to explore what this means today.
Storehouse. Review by Barbara Lewis. As the former CEO of the national independent TV and radio stations in Georgia, Liana Patarkatsishvili has strong views on freedom of expression and on attempts to stifle the truth.
Cul-de-Sac. Review by Barbara Lewis. “Do you think this is enjoyable for anyone to be around?” It’s a very dangerous question in the mouth of Ruth Townsend, who is the aptly named wife of the overly frank Frank Townsend, the central couple of this tale of frustrated lives at the end of the line in London’s Zone 6.
The Frogs. Review by Barbara Lewis. The time is now. The place is ancient Greece. So begins this extremely freely adapted version of Aristophanes’ “The Frogs”.
The Big Bite-Size Breakfast Show. Review by Barabara Lewis. The Big Bite-Size Breakfast Show is a mood-enhancing, life-affirming start to the day – and after an 18-year run at the Edinburgh Fringe and an 11-year absence from Brighton, where it began, it is back on the English coast.
The Trials. Review by Barbara Lewis. The Nuremberg Trials were considered fair, one of the jurors says during deliberations that are seeking climate justice – or is it revenge? – in a future not too distant from our already overheated times.
By Barbara Lewis • plays, theatre, year 2025 • Tags: Barbara Lewis, plays, theatre