Poetry review – BETWEEN A DROWNING MAN: Stuart Henson explores the territory defined by Martyn Crucefix’s deeply reflective poetry
. Poetry review – (m)othersongs: Diana Cant reflects on a moving and personal collection by Sarah Doyle
Poetry review – A DISTANT ENGLISHNESS: Michael Bartholomew-Biggs examines a challenging but rewarding collection by John Whitehouse
Poetry review – SMALL AND NECESSARY LIVES: Michael Bartholomew-Biggs admires Ron Scowcroft’s ability to capture moments that might easily be missed
Poetry review – THE POINT OF THE STICK: Thomas Ovans enjoys Neil Fulwood’s poetic sketches of famous conductors
Poetry review – PERISTERIA: Thomas Ovans appreciates the quiet, firm and consistent voice in Tim Cunningham’s poems
Poetry review – IDENTIFIED FLYING OBJECTS: James Roderick Burns finds present day relevance in a collection of poems based on Old Testament verses
Poetry review – HOW THE LIGHT GETS IN: A first collection by Chris Bullock is enlivened by some sharp and surprising insights
Poetry review – GAMES OF SOLDIERS: Thomas Ovans enjoys being teased and perplexed by the prose-poems of Mary Michaels
Poetry review – CROWS AT DUSK: Thomas Ovans enjoys a reflective walk through the seasons in the company of James Roderick Burns
The Plague Diaries and beyond: Michael Bartholomew-Biggs looks at two poetry ventures involving John Forth & Paul McLoughlin
Quarantaine. Review by Barbara Lewis. Flanders in its golden age produced the painters Van Eyck and Memling. Around six centuries on, the work of Belgian conceptual artist Honoré δ’O, at first sight bears no relation to his aesthetic forebears.
By Barbara Lewis • art, books, exhibitions, year 2025 • Tags: art, Barbara Lewis, books, exhibitions