Oil Lamps. Review by Alan Price. Dysfunctional marriages are rife in contemporary film dramas yet often don’t shift gear into a high tragic dilemma set against a backcloth of decadence.
year 2025
Poetry review – SALT AND SNOW: Rennie Halstead finds universal insights in this very personal collection by Naomi Foyle
Poetry review – BREAKING A MARE: Pat Edwards explores the many metaphors in Christina Thatcher’s poems on equine themes
Poetry review – A FULL-ON BASSO PROFUNDO: Jean Atkin investigates a complex and strongly-felt collection by Ken Evans
Grayson Perry: Delusions of Grandeur. Review by Barbara Lewis. One of the joys of Grayson Perry’s exhibition is that it is he who provides the explanatory notes. A standout peg is: “An artist’s job is to bite the hand that feeds him, but not too hard”
Stiletto. Review by Barbara Lewis. On average 5,000 boys were castrated every year in 18th-century Italy in a desperate attempt by poor families to change their fortunes. They nearly always managed only to add tragedy to their misery.
Poetry review – SUNBATHING WITH FISHERMEN: Emma Storr admires the strength of feeling in Penny Sharman’s poems whether they are dealing with pain and loss or joy and pleasure
Maison Bonaparte. Review by Barbara Lewis. Napoléon Bonaparte was born into a noble family in Ajaccio on August 15, 1769, and left around nine years later for France, where he took up a scholarship at the Brienne military academy.The house where he was born is now a museum remarkable for its less than total enthusiasm for Corsica’s most famous son.
Poetry review – BATHING ON THE ROOF: Pat Edwards considers how Tracey Rhys looks at feminist issues through the medium of water
Poetry review – CONSTRUCTING A WITCH: Nick Cooke is impressed by Helen Ivory’s energetic and zealously defiant poems
Poetry review – THE DEATH AND REBIRTH OF OPHELIA: Charles Rammelkamp manages to keep up with Robert Cooperman’s extensive re-working of Shakespeare’s Hamlet
The Forsythe Programme. Review by Julia Pascal. William Forsythe’s latest work Rearray is the most original of the evening’s presentations. Originally created in 2011, it needs a charismatic ballerina.
By Julia Pascal • dance, theatre, year 2025 • Tags: dance, Julia Pascal, theatre