Even in times when rehash is more common than originality, the risk with a revival of Burt Bacharach’s late 1960s musical Promises, Promises, in turn based on Billy Wilder’s 1960 film The Apartment, is that it feels doubly derivative.
I assumed I would be bored witless but I wasn’t for one second. Quite early on we were reassured it wasn’t just a Punch and Judy show.
Adaptations of Charles Dickens’ Christmas Carol began around 30 years after his death and proliferated during the 1930s and 40s with a wealth of radio productions, notably one featuring Orson Welles and sponsored by Campbell’s Soup.
For the non-initiate, The Beastie Boys were a group of white New Yorkers who made the leap from punk rock to hip hop. The result was the number 1 hit Licensed to Ill and an opening up to the white suburbs of a previously black musical phenomenon.
This is an ambitious reinterpretation of Swan Lake from a modern Irish perspective. Embedded in this ‘ballet’ is an acute critique of the Irish clergy.
Grown Up explores the gap between what we teach our children and what they really want to know. We meet five young performers on a mission to understand the world around them.
After the trauma of Kristallnacht in November 1938, British Prime Minister Neville Chamberlain was persuaded to agree that thousands of Jewish children come to Britain through a rescue effort that became known as the Kindertransport.
In the confusing explosion of activity that is the Edinburgh Fringe, NewsRevue has the huge advantage of being a known brand whose appeal is all the greater when a torrent of unsettling news leaves us craving comic relief and the decades-old formula of satire set to music is still the best of tonics.
In our post-fact world where we drown in other people’s opinions, life as a hard-up, stand-up comedian trying to make a name has got harder. And on the Free Fringe periphery of the Edinburgh Fringe – where artists effectively busk in a tatty room with a few uncomfortable seats and a bucket for contributions as there is no formal entrance free – it has become an even more extreme act of faith.
This was the UK premiere for the Compagnie Marie Chouinard from Quebec. She started with Soft virtuosity, still humid, on the edge – a title that means nothing in English but perhaps has more resonance in French. Happily the work was far more exciting than the title.
A new stage show by poet Martin Figura turns out to be both entertaining and thought-provoking
A dance-drama about the troubled lives of Caitlin & Dylan Thomas