Maigret: the complete series. Review by Alan Price. The avuncular detective holds his place high with such other greats like Sherlock Holmes or Philip Marlowe. Network should be highly praised for restoring Maigret. A TV classic returns.
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Nil by Mouth. Review by Alan Price. Nil by Mouth makes up for so many old British films that patronised working class characters. It might be dark, raw and depressing but not without humour.
Dersu Uzala, Kurosawa. Review by Alan Price. Dersa Uzala is a minor Kurosawa film with three major virtues: outstanding photography, a direction finely tuned to nature and a wonderfully believable performance from the Tuva actor Maksim Munzuck playing Dersa.
Love (Szerelem) Karoly Makk (1971). Review by Alan Price. Love adapts and merges two short stories Love (1956) and Two Woman (1962) written by the famous Hungarian writer Tibor Dery. It is set in 1953 during the Stalinist period in Hungary and explores two forms of love.
Ingmar Bergman Vol 3. Review by Alan Price. And so, we’ve now reached the third BFI volume of Bergman films. Here we find four masterpieces, one near-masterpiece, one very good under-appreciated work, an interesting failure and (for me) a film that’s Bergman’s worst.
Robert Bresson: L’Argent and The Trial of Joan of Arc. Review by Alan Price. Of all the great film makers of the 20th century Robert Bresson was the most solely spiritual. His camera revealed what was concealed: a cinematic representation, or more subtly an apprehension, of what we would call the soul of his characters.
The Alfred Hitchcock Hour. Review by Alan Price. In my previous review of The Complete Alfred Hitchcock Presents I ended it by requesting Viavision to also issue The Alfred Hitchcock Hour. Well they have done so.
Desire / All My Good Countrymen (Vojtech Jasny). Review by Alan Price. “Jasny is the spiritual father of the Czech New Wave” claimed Milos Forman. Vojtech Jasny drew upon the lyricism of 1930’s Czech cinema to create his own dreamy naturalism and generosity of spirit that influenced those young directors of the 1960’s. Now we have the opportunity to see fine transfers of two key Jasny films: Desire (1958) and All My Good Countrymen (1968).
A Blonde in Love / Black Peter (Milos Forman). Review by Alan Price. Black Peter is one of the first early sixties films of covert dissent and ushered in a new kind of Czech cinema. But A Blonde in Love is Forman’s even more confident realisation of his original tender, angry and humane authorship. Both are essential viewing.
Larks on a String, Jiri Menzel. Review by Alan Price. The opening twenty three minutes of Larks on a String are exhilarating. They set the tone for the rest of this marvellous film whose lyric and comic surface has a deceptively light touch barely masking the pain experienced in its totalitarian landscape.
Pickpocket (Robert Bresson). Review by Alan Price. Published in 1975 Bresson’s tantalisingly philosophical book Notes on the Cinematograph consists of notes, fragments, observations, wise lists about life and the difficult challenges of filmmaking. Bresson’s remark about the camera’s ability to indifferently record life happening un-dramatically, in front of the lens, feels more than appropriate for his 1959 film Pickpocket.
The War Trilogy. Review by Alan Price. The two most famous war trilogies in cinema are still Roberto Rossellini’s (Rome Open City, Paisan, Germany Year Zero) and Andrzej Wajda’s (A Generation, Kanal, Ashes and Diamonds).
By Alan Price • film, year 2022 • Tags: Alan Price, film