Poetry Review – HOTEL AMOUR: Sarah Leavesley finds this collection by Deryn Rees-Jones offers questions and images that are endlessly fascinating
year 2025

Poetry review – GLANDSCAPES: Charles Rammelkamp reviews a grimly frank medical memoir-in-poems by Mickie Kennedy

Poetry review – HAUNT ME: Charles Rammelkamp considers José Enrique Medina’s unusual ways of dealing with grief and loss

Nosferatu, The Vampyre. Review by Alan Price. For me there are only four vampire films that can be called great. They are Nosferatu (Murnau, 1922), Nosferatu, The Vampyre (Herzog, 1979), Dracula (Badham, 1979) and Dracula (Fisher, 1958) that are both faithful and part loose adaptations of Bram Stoker’s novel Dracula. All are successful for different reasons.

Aguirre, The Wrath of God. Review by Alan Price. The on-location stories of Werner Herzog’s clashes with Klaus Kinski on Aguirre, The Wrath of God, have passed into cinematic legend. The most alarming being Kinski wanting to leave the film after Herzog refused to dismiss one of the technical crew, for at this point Herzog is supposed to have made Kinski act at gunpoint.

The Hidden Fortress. Review by Alan Price. The time is the 16th century. A period of civil wars. Princess Uki with her family and their clan gold are attempting to escape to a peaceful province. The enemy have posted up a reward for her capture. She’s accompanied by her General (Toshiro Mifune, who else could it be!) and two greedy and quarrelsome farmers. Onto this slight (almost formulaic) story Kurosawa has applied great craft and artistry.
Poetry review – A DRESS WITH DEEP POCKETS: Pat Edwards enjoys a slim but companionable collection by Jen Feroze
By Michael Bartholomew-Biggs • added recently on London Grip, books, poetry reviews, year 2025 0