Poetry review – THE FIELD OF HAPPINESS: Robert Cooperman is pretty happy with Charles Rammelkamp’s new collection
poetry
Poetry review – THE SLEEP ROAD : Nell Prince enjoys the first full collection by Stewart Sanderson
Poetry review – A TRIPTYCH OF BIRDS & A FEW LOOSE FEATHERS: Carla Scarano reviews a debut collection by Pratibha Castle
Poetry review – CHANGE: Bill Jenkinson appreciates a wide-ranging and richly varied collection by Gill Learner
Poetry review – A KIND OF SILENCE: Carla Scarano considers a debut pamphlet by Barbara Hickson
Poetry review – HOTEL ANONYMOUS: Stephen Claughton enjoys imaginative and often mysterious poems by Mike Barlow
Poetry review – HI-VIZ: James Roderick Burns finds real depth beneath Ben Banyard’s light-touch observations
Poetry review – IS THIS LIKE A POEM?: John Forth is reminded of Paul McLoughlin’s distinctive voice while reading this collection of posthumously published poems
Poetry review – HIDING TO NOTHING: Emma Lee admires the boldness and sensitivity with which Anita Pati deals with difficult issues
Poetry review – FAREWELL PERFORMANCE: Paul McDonald looks back with pleasure on the collected later poems of Vernon Scannell
Poetry review – CENTRAL AIR: Neil Elder commends the wide appeal of George Bilgere’s poetry
OFFCUMDENS: Sue Wallace-Shaddad reviews a poem & photograph collaboration by Bob Hamilton & Emma Storr
By Michael Bartholomew-Biggs • books, photography, poetry reviews, year 2022 1 • Tags: books, photography, poetry, Sue Wallace-Shaddad