Displayed are elaborate composites, built up from paintings and photographs that eventually result in portraits at once convincingly human, alien and heartless.
Bicycles are as close as it gets to the perfect blend of form and function — but that doesn’t stop designers seeking to make them sleeker, faster and funkier. As such, they are ideal subject-matter for the Design Museum in the Belgian city of Ghent, whose Bike to the Future, despite the corny title, is a wide and even subtle exploration of cycling design and its enormous impact.
This informal gallery, an integral part of the public area of UCH (Euston Road entrance), stages regular exhibitions, and deserves to be more widely known.
If you don’t know Burgh House, Hampstead, you should. It’s a beautiful Queen Anne mansion with many original features that functions as a museum and arts centre. It also has a carefully planted garden and houses the Buttery Café, which has an ambience to my mind considerably more attractive than some of […]
Between 1560 and 1630, Europe experienced the worst of a Little Ice Age characterised by long, cold winters. The cruel weather coincided with the most intensive period of witch hunts in history. Bruegel the elder, is credited with leading the way as Flemish and Dutch artists developed what is now the popular image of a witch, flying on a broomstick with her ragged hair streaming in the wind.
From stylised art nouveau temptresses to giant Tintin cartoons, Brussels has an established tradition of putting art on the outside of its buildings as well as inside. The capital’s newest gallery in a former brewery in Molenbeek – the neighbourhood notorious as a breeding ground of the Paris and Brussels terror attacks – captures that spirit.
For British rock fans, 2016 is marked by the death of David Bowie. In the French-speaking world, it has further significance as the 25th anniversary of the fatal heart attack that ended Serge Gainsbourg’s career as a hell-raising provocateur whose lyrics prompted President Mitterrand to compare him to Baudelaire. To commemorate the poet of the French rock world, Brussels and Paris have both organised exhibitions of French photographer Pierre Terrasson’s portraits of Gainsbourg and of other major 1980s performers, including Bowie.
Andres Serrano, Uncensored Photographs, Royal Museums of Fine Arts, Brussels. Review by Barbara Lewis.
A denizen is a person, animal or plant that lives in a particular place or region. Photographer Andres Serrano, best known for causing outrage with taboo-breaking images, decided it was le mot juste to describe the homeless people of Brussels he was asked to photograph by the city’s fine arts museum.
Little known outside his native Norway, Astrup, a contemporary of Edvard Munch, was a talented painter and printmaker, and his skills are amply demonstrated in this atmospheric exhibition.
As if an extraordinary imagination for fantastic, unsettling monsters and a genius ahead of his time for sensitive, naturalistic depictions of ordinary people weren’t enough, Hieronymous Bosch also had a modern knack for successful branding.
A unique three-year street-photography project. The spontaneous, candid images – from quiet intensity to grand gesture – offer a unique and personal insight into a teeming metropolis; a positive view of urban living, celebrating the creativity, diversity, eccentricity and spirituality of Londoners and London’s visitors.
This exhibition brings together two artists successful in their own eras. Each works in a different medium yet both are similar in pushing artistic boundaries.