An introduction to poetry comics edited by Chrissy Williams & Tom Humberstone turns out to be something of a revelation for Richie McCaffery
This exhibition brings together two artists successful in their own eras. Each works in a different medium yet both are similar in pushing artistic boundaries.
Fiona Sinclair explores a picture & poem collaboration by Gordon Meade & Douglas Robertson
John Snelling finds an all too common “either/or” approach is replaced by a pleasingly inclusive “and/and” viewpoint throughout a kaleidoscopic collection by Marcus Smith
This is Miranda Argyle’s second show in Princelet Street. The panelled Georgian drawing room at the gallery, Eleven Spitalfields provides a sensitive context for Argyle’s subtle stitched work and luminous photographs.
D A Prince finds Stuart Henson’s “Feast of Fools” hard to classify but easy to enjoy
Poems written in response to atmospheric paintings by the American artist Howard Fritz whose work is now on show at the Torriano Meeting House
Caroline Maldonado finds there are many possible ways of reading this chapbook of poems by Susan Wicks with artwork by Elizabeth Clayman
Howard Fritz – Paintings & Drawings At the Torriano Meeting House, 99 Torriano Avenue, London, NW5 2RX from January 12th 2016
The illustrator Tom Adams shares some insights into how he produces his memorable book jackets
Wry, strange, self-mocking, subversive, acerbic, ironic, cynical, sarcastic, bitter, unconventional and of course surreal – are just some of the adjectives that spring to mind as you browse the unsettling Belgian art on display in a central Brussels venue until 24th January.
‘Life is a gamble, at terrible odds – if it was a bet you wouldn’t take it’ writes Tom Stoppard in Rosencrantz and Guildenstern are Dead. Turner Contemporary’s exhibition ‘Risk’ attests to this. The Focus is two- fold, dealing with the risky business of living and the nature of art itself as a gamble.