100 POETS. A LITTLE ANTHOLOGY: Kevin Saving considers the selections made and not made for a new anthology compiled by John Carey
Poetry review – DANGEROUS PURSUIT OF YELLOW: Thomas Ovans gets to grips with a collection of challenging and colourful poems by Annie Wright
Poetry review – TRACK RECORD: Kate Noakes enjoys a book of railway-related poems by Sue Johns
Poetry review – RIPE: Emma Lee admires the depth of insight in Isabelle Baafi’s poetry
Poetry review – PURGATORIO: Edmund Prestwich looks at a new translation by DM Black
Book Review – The Life in Us: Paul McDonald reviews an absorbing and touching novel by John Lucas
Poetry review – ALL ANIMALS WANT THE SAME THINGS: Charles Rammelkamp examines Jeanne-Marie Osterman’s poetic explorations of human needs and desires
Poetry review – AFTER THE RIOT: Merryn Williams finds that Neil Young’s poetry provides an effective channel for anger
HISTORY OF PRESENT COMPLAINT: Billy Mills reviews a harrowing prose and poetry memoir by “HLR”
Rarely does the cinema provide us with such perfect opportunities for directly (and appropriately) comparing the work of two very different auteurs, but the release, just two months apart, of Jean-Luc Godard’s 2 or 3 Things I Know About Her and Luis Bunuel’s Belle de Jour, provides just such an opportunity.
By Mike Hogan • film, year 2021 • Tags: film, Mike Hogan