John Forth finds several vantage points from which to survey a new collection from John Lucas
Ruth Valentine takes a thoughtful look at the many ways to appreciate Tamar Yoseloff’s New & Selected
With extraordinary, even eerily apt timing, in the week that a judge ruled that a woman who felt she had lost her sparkle at 50 had a right to refuse life-saving dialysis treatment, the Royal Court’s latest deals precisely with the invisibility felt by older women.
Richard Eyre is making himself something of a specialist when it comes to Ibsen. Having adapted and directed Hedda Gabler and Ghosts to loud acclaim, now he’s taken on Ibsen’s less familiar Little Eyolf. What emerges is a taut chamber portrait of marriage and guilt – a template for later studies of marital warfare from Strindberg to Albee.
It’s hard to put your finger exactly on what makes Guys & Dolls such a classic, magical show. Is it the characters – the gambling low lifers Damon Runyon conjured from the streets of New York in the 1920s?