An exhibition of the extraordinary output of France’s Henri Cartier-Bresson, hailed as the founder of photojournalism and “the eye of the century”. That is true in the fullest sense of the words, given his exceptional ability to see the telling detail, or, in his own words, to seize the fact related to “the deep reality”.
Faces Then focuses on the 16th-century, regarded as the golden age of the portrait, when it was the rich, the powerful and the burgeoning bourgeoisie who could afford to have their portraits taken. Faces Now confines itself to the period since 1990, after the fall of the Berlin Wall, and, with it, the collapse of ideologies and artistic parameters.
This is a thought provoking exhibition that aims to go beyond the surface of simply putting faces to the famous names. It suggests an art form that continues to find ways of revealing the self but also reveals the artist as a conduit for all human emotion.
One of the more unlikely joys of Brussels life is the rotating EU presidency. Every six months, a different member of the 28-strong European Union takes on the task of presiding over policy-making. For the citizens of Brussels, it’s a chance for a cultural mini break without the expense and inconvenience of braving the airport.
I first came across the work of Delhi born artist Dayanita Singh in an exhibition and book, Myself Mona Ahmed (2001), a photo-essay about an aging eunuch transsexual (hijra) living in a graveyard in Old Delhi. In this extraordinary body of work – the book contains various different kinds of text alongside the photographs) – one sensed not only compassion, but a collaboration between the person in front of the camera, and the one looking through the lens.
Thomas Ovans browses a handsome poetic and photographic collaboration by William Oxley and Barry Davidson
Thomas Ovans takes a walk with Tamar Yoseloff & Vici MacDonald in London’s back streets – but without leaving his armchair…
Don McCullin’s ‘Shaped by War’ Both the persona and work of Don McCullin, conflict photographer and self confessed “war junkie”, have always held a mesmeric allure over me.
What Makes a Winning Photographic Portrait? : The Taylor Wessing Prize at The National Portrait Gallery, London.
20 October – 13 November 2011 BIG & SMALL: from Billboards to Downloads Storm Thorgerson’s massive exhibition at Idea Generation, 11 Chance Street, London E2 7JB
LONDON GRIP exhibition Sandra Walker R.I. – Six Watercolours: New York – what painting makes of photography
E.J. Major wins 2011 Salon Poetry prize – a press release from Matt Roberts Arts