For those suffering withdrawal symptoms, Stay at Home with Crazy Coqs is providing a thrice-weekly fix on YouTube as some of its regular artists post recordings from their homes or reissue previous Crazy Coqs performances.
music
Isadora Duncan (1877-1927) has been re-visioned by Viviana Durante in her new programme Don’t Let Them Tame You.
Jason Kravits’ cabaret at Crazy Coqs is wildly funny. This singer-entertainer is so dynamic that I would suggest he be prescribed for those with the blues.
One of the main reasons to stay in London in the summer is the Proms. I admit that I am in love with the Royal Albert Hall. There is something about sitting in this circular, wedding cake structure that has an effect on the psyche.
Alwyn Marriage admires the depth and musicality of John Greening’s long poem about creativity and its loss
This was the first time I had seen this operetta and the idea of Viennese kitsch did not excite me. Director Max Webster clearly shares my antipathy for schlock. His production is a wonderful reframing of the story from a post #MeToo perspective.
U.S. folk musician Jay Ungar composed his Ashokan Farewell in 1982 shortly after violin and dance camps he had been running in Ashokan, New York state, ended for the season.
By Barbara Lewis • music, opera, performance, year 2020 • Tags: Barbara Lewis, music, opera, performance